The word poetry can mean many different things. I reach back to the origins of the word, the Greek poeisis: “to make”; and to the Aristotelian dramatic concept of mimesis (the representation of nature).
At an artisan level, poetry is a tool. The lyric poet uses words to represent and communicate the experience he or she has of being in the world. But the poet also aims towards creating sublime Poetry (poetry with a capital P): The poet aims towards Art. All imaginative writers do.
Aristotle’s concept of Poetry in the form of drama, can be applied to verse, novels, and even flash fiction. Poetry is a “made thing”. But it’s not just a pleasant rhyme, not a pretty little story with tidy conflicts and a reassuring resolution. Poetry demands a representation that somehow conveys living consciousness. It’s transcendent of its own artificialness. Even dance (poetry-in-motion) has to rise above the mundane fact of a body’s movement in space: Movement becomes metaphor. And it is necessarily awesome, in the sense that it is also tinged with fear; if something conveys a true sense of life, it must also convey a sense of mortality. Poetry, as an art form, is not escapism. It is a confrontation with our truths.
Art as Experience
Oscar Wilde wrote that art’s function is to create “a mood”. And if by “mood” Wilde means an experience, I agree with him.
I believe Art is an experience. It is the recognition of one human has when viewing/hearing an artifact created by another human. Simply put: the experience of, “I recognize that aspect of being human, too; I see you, the maker; I feel what you felt when you made this.”
Art (unlike fame) is a gift from God, or the gods. Or if you are uncomfortable with that: it’s magic: It is a work-around for human limitations, and a way to cheat death.
However, Wilde also said that art is useless:
“A work of art is useless as a flower is useless. A flower blossoms for its own joy. We gain a moment of joy by looking at it. That is all that is to be said about our relations to flowers. Of course man may sell the flower, and so make it useful to him, but this has nothing to do with the flower. It is not part of its essence.”
One can read Oscar Wilde’s little note on the uselessness of Art and the metaphor of a flower as his attempt to justify earning money as an artist. And with all due respect, I dare say that Mr. Wilde chose a perspective that had a limited appreciation of a flower’s practical role within our ecosystem.
And although “made things” are not flowers, their potential for Art does not exclude their potential for usefulness. All art forms are tools for communication and discovery, whether or not individual works succeed as Art with a capital A.
Art as a Tool for the Good Life
Before Wilde, Immanual Kant also pointed out the useless of art. Kant said that an artwork is “intrinsically final“, but did make the exception that it is a tool for the cultivation of the human spirit.
The writer-as-artisan uses poetic devices as tools, first. There are theories that verse was developed primarily as a mnemonic tool for passing information through the generations. But poetry and imaginative fiction also helps us fulfill our need for creativity, for novelty. Writing is a tool that helps us exorcise our emotions. At some point, though, once we have mastered the tool – when we work with devotion – writing may help us communicate our unique experience so that others can recognize themselves through our Poetry. Art is a paradoxical event where uniqueness meets commonality.
Poetry, in verse or in prose – spoken or written- takes us out of our selves, beyond our pre-packaged thoughts. As Robert Bly suggests in Leaping Poetry, and as Aristotle described drama in Poetics, we use metaphor and mimesis (which itself can be accurately described a kind of metaphor) to “leap” to an understanding that we can’t reach by any direct route. Poetry, be definition, exalts our experience.
Choosing a Poetic Approach for Reinvention
Truth be told, “exalt” is one of those words that tends to put me off. I’m more comfortable with words like “improves”, “challenges”, even “refines”. We can use the art of writing to refine ourselves, and to redefine ourselves. The writing process can be a way to explore perspectives. We can reject our family’s narratives and their resulting false truths. We can challenge our culture’s meta-narrative prophecies like “damaged for life”, “people can’t change”, or “no one gets over that”. Like a photographer, move around the space of your life, change your angle, change your point of view. We can discover new possibilities for meaning and identity.
Oscar Wilde supposedly said, “My life resembles a work of art. Never does an artist start working on the same piece twice.” Regardless of his claims of uselessness, Wilde seems to be suggesting here that art can be a tool for reinvention.
Rex Jung is a neuroscientist who studies creativity. He defines creativity as what is “novel and useful”. By choosing to live a creative life, by choosing to seek out the poetic in the humdrum details of our daily lives, we can use writing to gain the perspective we need to become the person each of us wants to be:
We can live deliberately.
We can cultivate attention and gratitude; we can create stronger connections with the earth, and with each other. If we aim towards Art, and if we are very fortunate, we can transcend ourselves.
Life imitates art far more than art imitates Life.
– Oscar Wilde
This choice is who we are. Which story are you choosing?
I would invite everyone to explore writing as a tool for personal growth, and if you are someone who would like a bit of a framework and mentoring, I would love to hear from you! Please don’t hesitate to contact me to discuss the possibility of working together.
One perspective of my teaching philosophy: an essay on one dilemma teaching artists face in the public schools when it comes to being “good”. For Drama tidskrift. 2011.